Who is gemma arterton

Clover voice. Marilyn Monroe. Jessica Spencer. Tess Durbeyfield. Elizabeth Bennet. Trinian's Kelly. Hide Show Producer 6 credits. Hide Show Soundtrack 6 credits. Hide Show Self 67 credits. Self - Panellist. Self - Interviewee. Self - Guest. Self - Spectator uncredited.

Self -Guest. Self - Actress. Hide Show Archive footage 7 credits. Related Videos. So Arterton has always been busy; in she appeared in no fewer than five films, and won an Olivier award for playing Nell Gwynn in the West End. Nevertheless, there is an under-realised quality about her body of work, as if she has still been waiting for the right role. Savage went away and wrote a screenplay that even the French might find a trifle avant garde, containing not a word of scripted dialogue, nor even much recognisable plot.

The cast had to improvise every line and scene in the film, with no rehearsals, and barely anyone says a word on screen for the first 30 minutes. I mean, wow, thank you. Oh, thank you so much. The Escape is quite hard to describe, partly because it eludes conventional genre categories — comedy, thriller, romance — and partly because not a lot happens. Deranged by domestic confinement, depressed by lazy sex she pretends to enjoy, Tara snaps one day and stuns them both by running away to Paris.

In , Arterton married Stefano Catelli, an Italian fashion sales manager, but the pair separated two years later and are now divorced. She has only ever said positive things about her marriage in public, but naturally I wonder if elements of it inspired The Escape.

What makes the marital dissonance on screen so gripping is the subtle ambiguity of interactions between the couple, which appear mundane but are freighted with significance. Masterfully direct by Luca Guadagnino. Two lonely people John C.

Reilly and Marisa Tomei meet at a party and like each other. She has a 20ish son Jonah Hill who welcomes Reilly to their home and invites him to stay for dinner. But a comedy of social embarrassment develops when it becomes clear that the son is jealous and possessive of his mother, and perhaps to physically familiar with her.

No, it's not incest; let's call it inappropriate behavior that his mom doesn't seem to discourage. Reilly is caught in an awkward position, which the film simply regards, leaving us to wince in a fascinated way. Jennifer Lawrence is brilliant as a year-old girl who father has skipped bail and left his family threatened with homelessness.

In a dirt poor area of the Ozarks, she goes seeking him among people who are suspicious, dangerous and in despair. Winner of the Grand Jury prize at Sundance and the screenwriting award, this film by Debra Granik is one of the year's best.

Rivers was 75 in this film, and never tires of reminding us of that fact. She remains one of the funniest, dirtiest, most daring and transgressive of standup comics, and she hasn't missed a beat.

The doc follows her for a year as she relentlessly pursues the career that her daughter, Melissa, says was like having another sister. She violates her own privacy, speaks from the heart, does not know tact, and makes us laugh a lot. If you've only seen Rivers on TV, you ain't seen nothing' yet. Faithfully follows the plot of the classic, but stands on its own feet and takes advantage of beg shot on location in China.

Jackie Chan dials down convincingly as the quiet old janitor with hidden talents, and Jaden Smith son of Will and Jada Pinkett Smith holds the screen with glowing charisma.

The obligatory final fight climax is unusually well-handled. Michael Douglas in one of his best performances, as a once rich and famous car dealer, now in hard times but still tireless as closing the hardest sell of all--himself.

Catherine Keener and Oliver Platt play a Manhattan couple who have a daughter and run an antique store and live next to a mean-tempered old lady Ann Morgan Guilbert. When she dies, they can buy her apartment.

The old lady has two granddaughters, played by Rebecca Hall and Amanda Peet. When the couple invites everyone over for dinner, events are set in motion that are true, funny, and ruefully observant. Writer-director Nicole Holofcener is so perceptive about women whose lives are not defined by men; that's rare in the movies. The best comedy since "The Hangover. Remake of a Brit comedy, but a lot funnier.

Then big trucks arrive to lay down a fresh coating of asphalt, and the arrival of traffic puts unbearable pressure on a family that seems a little strange from the first. With Isabelle Huppert and Olivier Gourmet.

Mistaken for another couple, they're spun into a nightmare involving a mob boss and an unpaid debt. Funny, because they seem halfway plausible. Directed by Shawn Levy "Night at the Museum". Ben Stiller in one of his best performances as a chronic malcontent who returns to L. With Greta Gerwig as an aimless but pleasant young college graduate who feels sorry for him, and Rhys Ifans and Jennifer Jason Leigh as survivors of his troublesome past. She obsessively follows him, confronts him with their child in public, and is finally locked away by the fascists in an asylum.

Giovanna Mezzogiorno's performance as Ida, the mistress, reminds me of Sophia Loren in the way she combines passion with dignity. Directed by the legendary Marco Bellocchio. Edward Norton plays a dual role as brothers: One a professor of philosophy at Brown, the other still back home in Little Dixie, Oklahoma, growing the best marijuana in the state.

He may be the better philosopher. With Susan Sarandon as their mother, and Richard Dreyfuss as the state's drug kingpin. Norton gives two inspired and entirely different performances. Written and directed by Tim Blake Nelson, who also plays the best friend. One of the best films of An achingly beautiful portrait of small town America. The title is the zip code of Sidney, Ohio, and brothers Bill and Turner Ross grew up there and spent seven months on creating this portrait in sound and images of ordinary people, mostly nice, living their lives.

No obvious structure, no message, just an appreciation of daily life that becomes haunting in its poetry. A mentally-deficient year-old seems almost certainly guilty of murder. His mother, who has protected him all his life, is determined to prove his innocence. She is a remorseless force of nature, in a South Korean thriller that moves far beyond our expectations, into labyrinths deeper than reality.

Written and diffracted by Bong Joon-ho "The Host". A woman doctor Julianne Moore suspects her husband Liam Neeson of cheating, and hires a young call girl Amanda Seyfried to test how he might respond. She is fascinated by the girl's reports. Her jealousy shifts into curiosity. And the call girl? What's in this for her? Egoyan weaves a deceptive erotic web. A privileged inside look at the Disney animation studio from to , a golden age that essentially recreated feature animation in the form we know it now.

From "The Little Mermaid" to "The Lion King," interviews, archives, home movies and interviews recreate a time of creative turmoil and backstage rivalries. It was the best of times, it was the worst of times. Compelling thriller with a heroine more fascinating than the story. She's Lisbeth Noomi Rapace , a year-old Goth girl with body piercings and tattoos: thin, small, fierce, damaged, a genius computer hacker.

She teams up with a taciturn Swedish investigator to end a serial killer's 40 years of evil. Based on the international best-seller.

Intense and involving. The planned Hollywood remake will probably have to be toned down. Nimble, bright and funny comedy about the hero's first year of middle school. Zachary Gordon stars as the uncertain newcomer, and Robert Capron is his pudgy best pal, who still acts like a kid.

Chloe Grace Moretz sparkles as the only student who's nice to them, and the movie amusingly remembers the tortures of early adolescence. Based on the books by Jeff Kinney.

Damon's chief warrant officer finds that U. Greg Kinnear is the deceptive U. An unformed young man is imprisoned, and behind bars he terrifyingly comes of age. A remorseless consideration of the birth of a killer.

With Tahar Rahim as the clueless young prisoner and Niels Arestrup as the powerful boss of the gang controlling the prison. Directed by Jacques Audiard. In Roman Polanski's thriller, a man without a past rattles around in the life of a man with too much of one. Ewan McGregor plays a ghost writer hired by a former British prime minister Pierce Brosnan , whose previous ghost has mysterious drowned.

A splendidly acted and crafted immersive story. An immersive experience based on the infamous Yorkshire Ripper killings and the subsequent revelations about deep corruption in the Yorkshire Police Departments. Brilliantly cast, filmed in segments each offering a distinctive look and feel, beginning with a serial killer and then tangling the investigation with deep-seated local corruption.

Not so much about what happens objectively as about its surrounding miasma of greed and evil. Albert C. Barnes, to reside forever in the Barnes Foundation in suburban Philadelphia. He hired the best lawyers to draw up an iron-clad will to assure that would happen after his death.

He specified it not go to the Philadelphia Museum of Art, which he felt had scorned him and his collection. This absorbing documentary tells the story of how and why his art is in that museum today, the film calls it the "art theft of the century. Marshals called to a forbidding island in Boston bay, the home of an old Civil War fort now used as a prison for the criminally insane. A child murderer has escaped her cell. Martin Scorsese relentlessly blends music, visuals, special effects and all of film noir tradition into an elegant horror film as fragmented as a nightmare.

If you're blind-sided by the ending, ask yourself: How should it have ended? The Girl With All the Gifts. The History of Love. Their Finest. The Escape. Hear Her: Leading Lady Parts. Vita and Virginia. It's Me, Sugar. Murder Mystery. My Zoe. How to Build a Girl. The King's Man. Quantum of Solace. Song for Marion.